La vie fugitive - Pencil, oil and glazed stoneware on wood. 198 x 152 cms. 2024

Biophilia. Pencil, oil and glazed stoneware on wood. 198 x 152 cms. 2022

Warping of Space-Time (Spaghettification.) Glazed stoneware. 104 x 102 x61 cms. 2019 / Animated drawings. 2018

L’amante botanique. Pencil, oil and glazed stoneware on wood. 153 x 107 cms. 2022.

Ce qui se cherche ici, c’est une forme de coexistence. Une image de la terre où les corps — humains, végétaux, minéraux — ne sont plus séparés mais liés, poreux, traversés. Une image née de l’étrangeté du réel, une avancée lente vers un monde habitable.

The Solar Storm (detail). 153 x 107 cms. Oil and glazed stoneware on wood. 2022.

Fair Trade Banada Dream. 20 x 20 x 5 cms. Glazed stoneware. 2023.

Excerpt from film La singularité. 4:20 min. Animated drawings. 2018.

The wedding, detail. Pencil, oil and glazed stoneware. 2022.

La singularité. 2021

Les bienfaiteurs. 2023

Figures and environments emerge in hybrid states—fragmented, transitional, rooted in both scientific and symbolic thinking. Animation becomes a method of slow observation, revealing imperceptible processes.

Milk and Honey - Pencil, oil and glazed stoneware on wood. 153 x 107 cms. 2022.

Spaghetti-Western Poney. 2024, Antenna Viriditas. 2025, Paradise Earth. 2020, Composite Being, The Peacock. 2024

Instinct - Oil and glazed stoneware on wood. 36 x 28 cms. 2020. / Iris blanc - Glazed stoneware and sand. 57 x 23 x 23 cms. 2025

L’amante botanique II. Glazed stoneware. 20 x 12 x 5 cms. 2023.

Exposition Jardins d’anaglyphes. Maison de la Culture Ville Saint-Laurent. 2025

Héros du samedi soir. 2024

Frequent Traveler. 2023

Danse derrière l’horizon. 2021

In a context of ecological instability, this practice reflects a need to rethink perception. It reconnects with the logic of living systems—not through nostalgia, but as a way of engaging with reality.